秋季上拍藏品元末明初青花釉裡紅八棱鋪首大罐展覽

秋季上拍藏品元末明初青花釉裡紅八棱鋪首大罐展覽

元代中後期，在青花瓷漸漸成熟的同時(shí)，釉裡紅工藝也有了進(jìn)步，已能燒出純正的紅色。由於釉裡紅對(duì)燒制溫度和窯中氣氛要求嚴(yán)格，大多數(shù)元代釉裡紅偏黑灰，紅豔欲滴者很少，這樣就限制了釉裡紅的發(fā)展。其時(shí)裝潢手段單一，大多用刻劃塗抹的手法，產(chǎn)量也非常稀少。

Fall on collection Yuanmomingchu underglaze red edge eight big pot shop first exhibition

In the late Yuan Dynasty, in the blue and white porcelain gradually mature at the same time, the red technology has also been improved, has been able to burn out the pure red. The underglaze red on the sintering temperature and atmosphere in the kiln and strict, most of the underglaze red dark gray, red color is very rare, which limits the development of underglaze red. At that time, a single means of decoration, mostly used to describe the technique of painting, production is very scarce.

圖一：

釉裡紅的真正成熟是在明初洪武年間，從原料萃取、製作成型、繪畫(huà)裝潢到燒制工藝都有了突破。釉裡紅工藝的進(jìn)步是由官窯來(lái)完成的。

Underglaze red is really mature in early Ming Dynasty, from raw material extraction, production molding, painting decoration to the firing process of a breakthrough. Underglaze red technological progress is accomplished by guan.

圖二：

釉裡紅被明初皇室選為宮廷用瓷，並限制民間使用，使其退出流通領(lǐng)域，成為非商品性質(zhì)的官窯器。和其他一般官窯器如青花不同的是，釉裡紅和明初黃釉、藍(lán)釉、紅釉等品種僅限於官窯生產(chǎn)，而從明初開(kāi)始，青花瓷基本維持著官、民窯平行生產(chǎn)的格局?？勺C明洪武釉裏紅官窯性質(zhì)的考古發(fā)現(xiàn)很多。

Underglaze red was chosen as the Royal Palace porcelain, and limit the use of folk, out of circulation, become non commodity nature of the kiln. And other general imperial wares such as blue and white is different, underglaze red and the yellow glaze, blue glaze, glaze and other varieties is limited to the kiln production, and from the beginning of Ming Dynasty, the blue and white porcelain kilns, maintain official parallel production pattern. To prove that the Hongwu underglaze red Guanyao nature of many archeological discoveries.

圖三：

青花釉裡紅是的燒制是非常形成的，有古語(yǔ)說(shuō)，千窯一件之說(shuō)，體現(xiàn)出了青花釉裡紅的價(jià)值至高之處，此器件為元末明初青花釉裡紅八棱鋪首大罐，極為少見(jiàn)八棱的大器是非常難製作的，繪畫(huà)過(guò)層五層繪畫(huà)完成佳作，第一二層盤(pán)口，頸部為棱形紋起繪，第三層肩部為連著牡丹紋製作，第四層腹部為重要正題繪畫(huà)人物故事“李廣”驍勇善戰(zhàn)的故事情節(jié)，第五層足部位八寶豎蓮?fù)瓿杉炎鳎嗷ㄅc釉裡紅發(fā)色自然純正，整體造型端莊大方，規(guī)整挺拔秀麗，是一件難以形成的官窯佳作值得收藏。

Red and blue glaze is fired is formed, there is the old saying that a thousand kiln that reflects the value of the highest place of red and blue glaze, this device is Yuanmomingchu underglaze red eight edge shop first big pot, extremely large rare eight ribs is very difficult to make the painting layer five layer two layer to complete the painting works, the first handicap, the neck is a prismatic pattern up painting, the third layer is connected with the shoulder for peony pattern making, fourth important theme painting abdomen story 'Li Guang' brave story, fifth feet eight vertical lotus complete works, with the blue and white glaze the red color in the overall shape of the pure natural, dignified and generous, neat and beautiful, is a difficult to form a kiln masterpiece worthy of collection.

圖四：

隨著時(shí)代的更新與跨越式的發(fā)展，盛世黃金，亂世收藏，大數(shù)企業(yè)家轉(zhuǎn)向與文化收藏，尤其是藏家們對(duì)瓷器的熱衷度，近幾年的瓷器成交如下：

With the collection of update and leapfrog development, the golden age of gold, troubled times, large numbers of entrepreneurs turn to cultural collections, especially collectors who are keen on degree of porcelain, porcelain turnover in recent years are as follows:

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